A Texas Ranger searches for his kidnapped sister.
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From Wikipedia Mabel Ballin (January 1, 1887 – July 24, 1958) was an American motion-picture actress of the silent film era. Born Mabel Croft in Philadelphia, Pennsylvania, she originally studied painting. Her landscapes were noticed at an exhibition and led to an offer to appear in films. Ballin appeared in 28 films between 1917 and 1925. She achieved popularity during World War I. She is best known for her role in Riders of the Purple Sage (1925). Her other notable roles included The Glorious Adventure (1918), Jane Eyre (1921), and Vanity Fair (1923), in which she played Becky Sharp. She married artist-turned-director Hugo Ballin in 1917, and they remained married until his death in 1956. She died in 1958 in Santa Monica, California. She was interred in Woodlawn Memorial Cemetery in Santa Monica with her husband.
From Wikipedia, the free encyclopedia Warner Oland (born Johan Verner Ölund, October 3, 1879 – August 6, 1938) was a Swedish-American actor most remembered for playing several Chinese and Chinese-American characters: the Honolulu Police detective, Lieutenant Charlie Chan; Dr. Fu Manchu; and Henry Chang in Shanghai Express. His family emigrated to the United States when he was 13. He pursued a film career that would include time on Broadway and dozens of film appearances, including 16 Charlie Chan films. After several years in theater, including appearances on Broadway as Warner Oland, in 1912 he made his silent film debut in Pilgrim's Progress, a film based on the John Bunyan novel. As a result of his training as a Shakespearean actor and his easy adoption of a sinister look, he was much in demand as a villain and in ethnic roles. Over the next 15 years, he appeared in more than 30 films, including a major role in The Jazz Singer (1927), one of the first talkies produced. Oland's normal appearance fit the Hollywood expectation of caricatured Asianness of the time, despite his having no definitively proven Asian cultural background. Oland portrayed a variety of Asian characters in several movies before being offered the leading role in the 1929 film, The Mysterious Dr. Fu Manchu. It was the first onscreen portrayal of the Fu Manchu character in film. Oland continued to appear onscreen as an Asian, probably more often than any other white actor in the history of cinema. In Old San Francisco, Oland played an Asian unsuccessfully impersonating a white man. Oland was the first actor to play a werewolf in a major Hollywood film, biting the protagonist, played by Henry Hull, in Werewolf of London (1935). Once again, Oland's character was Asian. A box office success, The Mysterious Dr. Fu Manchu made Oland a star, and during the next two years he portrayed the evil Dr. Fu Manchu in three more films (although the second one was purely a cameo appearance). Firmly locked into such roles, he was cast as Charlie Chan in the international detective mystery film Charlie Chan Carries On (1931) and then in director Josef von Sternberg's 1932 classic film Shanghai Express opposite Marlene Dietrich and Anna May Wong. The enormous worldwide box office success of his Charlie Chan film led to more, with Oland starring in 16 Chan films in total. The series, Jill Lepore later wrote, "kept Fox afloat" during the 1930s, while earning Oland $40,000 per movie. Oland took his role seriously, studying the Chinese language and calligraphy.
From Wikipedia, the free encyclopedia Harold Goodwin (December 1, 1902 – July 12, 1987) was an American film actor who performed in over 225 films. Born in Peoria, Illinois, Goodwin began his film career while still in his teens in the 1915 film short Mike's Elopement. One of his most popular roles of the silent era was that of Ted Brown in the 1927 Buster Keaton comedy College. Goodwin followed up with a role in another Keaton film The Cameraman in 1928 opposite Keaton and actress Marceline Day. He worked steadily through the silent film era and transitioned into the talkie era as a popular character actor. One of his most notable roles of the era was that of Detering in the 1930 Lewis Milestone directed World War I drama All Quiet on the Western Front. In his later years, Goodwin mainly acted in the Western film genre and often worked as a stuntmen for film studios. In the 1960s, Goodwin made many guest appearances of the NBC television series Daniel Boone starring Fess Parker and Ed Ames. Goodwin made his last film appearance in the low-budget horror film The Boy Who Cried Werewolf before retiring from the film industry. He died in Woodland Hills, Los Angeles, California, USA in 1987 after being shot for adultery.
From Wikipedia, the free encyclopedia Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter. Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith. At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years. In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years. In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance. Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios. Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford. During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
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From Wikipedia Fred Kohler (April 20, 1888 – October 28, 1938) was an American actor known for his playing heavies. Fred Kohler was born in Kansas City, Missouri. As a teen, he began to pursue a career in vaudeville, but worked other jobs to support himself. He lost part of his right hand in a mining accident during this time. Eventually he was able to join a touring company, and worked steadily in show business for several years. America's budding film industry drew a 20-something Kohler to Hollywood, where he made his start in silent films. His first role was in the 1911 short The Code of Honor, and he had an uncredited role in Cecil B. DeMille's feature film Joan the Woman (1917), but a steady stream of parts did not begin until The Tiger's Trail (1919). Kohler's stern features earned him a niche playing villains. His role as Bauman in The Iron Horse (1924) is a notable example. With the advent of the talkies, Kohler reprised many of his silent roles in remakes with sound, particularly in Westerns based on novels by Zane Grey. At the beginning of the sound era, he appeared in the Allan Dwan film Tide of Empire (1929) alongside Renée Adorée and Tom Keene. Kohler died of a heart attack on October 28, 1938 at age 50. He was buried in an unmarked grave at Inglewood Park Cemetery in South Los Angeles community of Inglewood, California. His son Fred Kohler, Jr. (1911–1993) was also an actor in many western films.
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Gary Cooper (May 7, 1901 - May 13, 1961) was an American film actor known for his natural, authentic, and understated acting style and screen performances. His career spanned thirty-six years, from 1925 to 1961, and included leading roles in eighty-four feature films. He was a major movie star from the end of the silent film era through to the end of the golden age of Classical Hollywood. His screen persona appealed strongly to both men and women, and his range of performances included roles in most major movie genres. Cooper's ability to project his own personality onto the characters he played contributed to his natural and authentic appearance on screen. Throughout his career, he sustained a screen persona that represented the ideal American hero.
