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Alan Hale Sr. (born Rufus Edward Mackahan; February 10, 1892 – January 22, 1950) was an American movie actor and director, most widely remembered for his many supporting character roles, in particular as a frequent sidekick of Errol Flynn, as well as films supporting Lon Chaney, Wallace Beery, Douglas Fairbanks, James Cagney, Clark Gable, Cary Grant, Humphrey Bogart and Ronald Reagan, among dozens of others. Hale was born Rufus Edward Mackahan in Washington, D.C. He studied to be an opera singer and also had success as an inventor. Among his innovations were a sliding theater chair (to allow spectators to slide back to admit newcomers rather than standing), the hand fire extinguisher, and greaseless potato chips.
His first film role was in the 1911 silent movie The Cowboy and the Lady. He played "Little John" in the 1922 film Robin Hood, with Douglas Fairbanks and Wallace Beery, reprised the role 16 years later in The Adventures of Robin Hood with Errol Flynn and Basil Rathbone, then played him yet again in Rogues of Sherwood Forest in 1950 with John Derek as Robin Hood's son, an unprecedented 28-year span of portrayals of the same character in theatrical films. Hale played Hugh O'Neill, Earl of Tyrone, in The Private Lives of Elizabeth and Essex (1939), featuring in a pivotal confrontation with the Earl of Essex, portrayed by Flynn.
His other films include the 1922 epic The Trap with Lon Chaney, 1928's Skyscraper; as well as Fog Over Frisco with Bette Davis; Miss Fane's Baby Is Stolen with Baby LeRoy and William Frawley; The Little Minister with Katharine Hepburn; and It Happened One Night with Clark Gable and Claudette Colbert; all released in 1934; the 1937 film Stella Dallas with Barbara Stanwyck; High, Wide, and Handsome with Irene Dunne and Dorothy Lamour; The Fighting 69th with James Cagney and Pat O'Brien; They Drive By Night with George Raft and Humphrey Bogart; Manpower with Edward G. Robinson, Marlene Dietrich, and George Raft; Virginia City with Errol Flynn, Randolph Scott, and Humphrey Bogart; and as the cantankerous Sgt. McGee in the 1943 movie This Is the Army with Irving Berlin. He also co-starred with Errol Flynn and Olivia de Havilland in the successful western film Dodge City (1939) where he played the slightly dimwitted but likeable and comical Rusty Hart, sidekick to Flynn's character, Sheriff Wade Hatton. Hale co-starred with Errol Flynn in 13 movies.
Hale directed eight movies during the 1920s and 1930s and acted in 235 theatrical films.
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Fred Kohler (April 20, 1888 – October 28, 1938) was an American actor known for his playing heavies.
Fred Kohler was born in Kansas City, Missouri. As a teen, he began to pursue a career in vaudeville, but worked other jobs to support himself. He lost part of his right hand in a mining accident during this time. Eventually he was able to join a touring company, and worked steadily in show business for several years. America's budding film industry drew a 20-something Kohler to Hollywood, where he made his start in silent films. His first role was in the 1911 short The Code of Honor, and he had an uncredited role in Cecil B. DeMille's feature film Joan the Woman (1917), but a steady stream of parts did not begin until The Tiger's Trail (1919).
Kohler's stern features earned him a niche playing villains. His role as Bauman in The Iron Horse (1924) is a notable example. With the advent of the talkies, Kohler reprised many of his silent roles in remakes with sound, particularly in Westerns based on novels by Zane Grey.
At the beginning of the sound era, he appeared in the Allan Dwan film Tide of Empire (1929) alongside Renée Adorée and Tom Keene. Kohler died of a heart attack on October 28, 1938 at age 50. He was buried in an unmarked grave at Inglewood Park Cemetery in South Los Angeles community of Inglewood, California. His son Fred Kohler, Jr. (1911–1993) was also an actor in many western films.
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Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable.
Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures.
Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role.
Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
Gary Cooper (May 7, 1901 - May 13, 1961) was an American film actor known for his natural, authentic, and understated acting style and screen performances. His career spanned thirty-six years, from 1925 to 1961, and included leading roles in eighty-four feature films. He was a major movie star from the end of the silent film era through to the end of the golden age of Classical Hollywood. His screen persona appealed strongly to both men and women, and his range of performances included roles in most major movie genres. Cooper's ability to project his own personality onto the characters he played contributed to his natural and authentic appearance on screen. Throughout his career, he sustained a screen persona that represented the ideal American hero.