A railroad worker accepts a colleague's offer to stay in his home, but when his friend is called out one night to stop a runaway train, he makes a play for the man's wife.
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From Wikipedia Virginia Valli (June 10, 1898 – September 24, 1968) was an American stage and film actress whose motion picture career started in the silent film era and lasted until the beginning of the sound film era of the 1930s. Born Virginia McSweeney in Chicago, Illinois, she got her acting start in Milwaukee with a stock company. She also did some film work with Essanay Studios in her hometown of Chicago, starting in 1916. Valli continued to appear in films throughout the 1920s. She was an established star at the Universal studio by the mid-1920s. In 1924 she was the female lead in King Vidor's Southern Gothic Wild Oranges, a film now being seen after several decades of film vault obscurity. She also appeared in the romantic comedy, Every Woman's Life, about "the man she could have married, the man she should have married and the man she DID marry." She made the bulk of her films between 1924 and 1927 including Alfred Hitchcock's debut feature, The Pleasure Garden, Paid To Love (1927), with William Powell, and Evening Clothes (1927), which featured Adolphe Menjou. In 1925 Valli performed in The Man Who Found Himself with Thomas Meighan. The production was made at a Long Island, New York studio. Her first sound picture was The Isle of Lost Ships in 1929, but her film career would not last much longer due to declining fame. Unable to find a suitable studio, she quit films after making the quickie Night Life in Reno, in 1931. Valli was first married to George Lamson and the two shared a small bungalow in Hollywood, in close proximity to the Hollywood Hotel. In 1931, she married her second husband, actor Charles Farrell, to whom she remained married until her death. They moved to Palm Springs, where she was a social fixture for many years. She suffered a stroke in 1966, and died two years later, aged 70, in Palm Springs, California. She was buried in the Welwood Murray Cemetery of that city.
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1932
Born into a show-business family - his parents were circus aerialists - Frankie Darro appeared in his first film at age six. Due to his small size and youthful appearance, he played teenagers well into his 20s. Always a physical performer, Darro often did his own stunts, many times out of necessity - his small stature made it difficult to find stunt doubles his size. He was an accomplished horseman and, in addition to westerns, made several films where he played jockeys. In 1933 he played the lead as a troubled teen in a major film for Warner Brothers, "Wild Boys Of The Road." It is a pre-code film with a realistic look at "The Great Depression," from the point of view of the youth of the time. This film seems to have been rediscovered only recently and has received critical acclaim.That same year, he played a troubled youth in the James Cagney classic, "The Mayor Of Hell". Later in 1935, he had a key role in the cult serial classic "The Phantom Empire"(1935). As Darro got older, however, he found it increasingly difficult to secure employment, and by the late 1940s was doing uncredited stunt work and bit parts. He had a recurring role on The Red Skelton Hour (1951), unrecognized by his fans, he played "Robby The Robot" in the groundbreaking sci-fi film "The Forbidden Planet" (1956), though Marvin Miller, best remembered as Michael Anthony of TVs "Millionaire"(1955-60), was the robot's voice. After that Frankie appeared sporadically in films and on TV .
From Wikipedia Wallace Fitzgerald Beery (April 1, 1885 – April 15, 1949) was an American actor. He is best known for his portrayal of Bill in Min and Bill opposite Marie Dressler, his titular role in a series of films featuring the character Sweedie, and his titular role in The Champ, for which he won the Academy Award for Best Actor. Beery appeared in some 250 movies over a 36-year span. He was the brother of actor Noah Berry.
From Wikipedia, the free encyclopedia John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917. MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford. Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct. By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950. With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935). In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
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1942
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1939
Clarence Leon Brown (May 10, 1890 – August 17, 1987) was an American film director. After serving as a fighter pilot and flight instructor in the United States Army Air Service during World War I, Brown was given his first co-directing credit (with Tourneur) for The Great Redeemer (1920). Later that year, he directed a major portion of The Last of the Mohicans after Tourneur was injured in a fall. Brown moved to Universal in 1924, and then to Metro-Goldwyn-Mayer, where he remained until the mid-1950s. At MGM he was one of the main directors of their major female stars, he directed Joan Crawford six times and Greta Garbo seven. Brown was nominated five times for six films (see below) for an Academy Award as a director, but he never received an Oscar. However, he won Best Foreign Film for Anna Karenina, starring Garbo at the 1935 Venice International Film Festival. Brown's films gained a total of 38 Academy Award nominations and earned nine Oscars. Brown himself received five Academy Award nominations for six films and in 1949, he won the British Academy Award for the film version of William Faulkner's Intruder in the Dust. In 1957, Brown was awarded The George Eastman Award, given by George Eastman House for distinguished contribution to the art of film. Brown retired a wealthy man due to his real estate investments, but refused to watch new movies, as he feared they might cause him to restart his career. The Clarence Brown Theater, on the campus of the University of Tennessee, is named in his honor. He holds the record for most nominations for the Academy Award for Best Director without a win, with six.
