Duncan, the son of a village postmaster, is in love with Sylvia, daughter of a rich and snobbish family. He enrolls at West Point but ends up having a fist fight with Sylvia’s other suitor, Bert, his classmate at the academy.
11-19-1924
1h 10m
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Main Cast
Movie Details
Production Info
Director:
John S. Robertson
Writer:
Josephine Lovett
Production:
Inspiration Pictures
Key Crew
Theatre Play:
Margaret Turnbull
Theatre Play:
William C. de Mille
Editor:
William Hamilton
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Richard Barthelmess
From Wikipedia, the free encyclopedia.
Richard Semler "Dick" Barthelmess (May 9, 1895 – August 17, 1963) was an Oscar-nominated silent film star.
Barthelmess was educated at Hudson River Military Academy at Nyack and Trinity College at Hartford, Connecticut. His father died when he was a baby and his mother, Caroline Harris , was a stage actress, so he worked in theatres in his early days, between schooling, doing "walk-ons". This led to acting in college, doing amateur productions. Russian actress Alla Nazimova, a friend of the family, had been taught English by Barthelmess's mother. Nazimova in return convinced Barthelmess to try acting professionally and he made his first film appearance in 1916 in the serial Gloria's Romance as an extra. At this time he also appeared as a supporting player in several films starring Marguerite Clark. His next role, in War Brides opposite Alla Nazimova, attracted the attention of legendary director D. W. Griffith, who offered him several important roles, finally casting him opposite Lillian Gish in Broken Blossoms (1919) and Way Down East (1920).
He soon became one of Hollywood's highest paid performers, starring in such classics as The Patent Leather Kid (1927) and The Noose (1928); he was nominated for Best Actor at the first Academy Awards for his performance in both these films, and he won a Special Citation for producing The Patent Leather Kid. He founded his own production company, Inspiration Film Company, together with Charles Duell and Henry King. One of their films, Tol'able David (1921), in which Barthelmess starred as a teenage mailman who finds courage, was a major success.
With the advent of the sound era, Barthelmess' fortunes changed. He made several films in the new medium, most notably Son of the Gods (1930), The Dawn Patrol (1930), The Last Flight (1931), and The Cabin in the Cotton (1932), Central Airport (1933), and a supporting role as Rita Hayworth's character's husband in Only Angels Have Wings (1939).
Description above from the Wikipedia article Richard Barthelmess , licensed under CC-BY-SA,full list of contributors on Wikipedia.
Lovely Madge Evans was the perennial nice girl in films of the 1930s. By then, she had been in front of the camera for many years, starting with Fairy Soap commercials at the age of two (she sat on a bar of soap holding a bunch of violets with the tag line reading "have you a little fairy in your home?"). 'Baby Madge' also lent her name to a children's hat company. In 1914, aged five, she was picked out by talent scouts to appear in the William Farnum movie The Sign of the Cross (1914), followed by The Seven Sisters (1915) with Marguerite Clark.
By the end of the following year, she had amassed some twenty film credits, appearing with such noted contemporary stars as Pauline Frederick or Alice Brady. All of her early films were made on the East Coast, at studios in Ft.Lee, New Jersey. In 1917 (aged eight), Madge made her Broadway debut in 'Peter Ibbetson' with John Barrymore and Lionel Barrymore. She resumed her stage career in 1926 as an ingenue with 'Daisy Mayme' and the following year appeared with Billie Burke in Noel Coward's costume drama 'The Marquise' (1927).
Her pleasing looks and personality soon attracted the attention of Hollywood and she was eventually signed by MGM in 1931. During the next decade, she appeared in several A-grade productions, notably as Lionel Barrymore's daughter in MGM's Dinner at Eight (1933) and as the dependable Agnes Wickfield in one of the best-ever filmed versions of David Copperfield (1935). She co-starred opposite James Cagney in the gangster movie The Mayor of Hell (1933), Spencer Tracy in The Show-Off (1934) and listened to Bing Crosby crooning the title song in Pennies from Heaven (1936). Madge received praise for her performance as the star of Beauty for Sale (1933) and The New York Times review of January 13 1934 described her acting in Fugitive Lovers (1934) (opposite Robert Montgomery ) as 'spontaneous and captivating'. Many of her 'typical American girl' roles did not allow her to express aspects of the greater acting range she undoubtedly possessed. Too often she was cast as the 'nice girl' - and those rarely make much of a dramatic impact. On the few occasions she was assigned the role of 'other woman' , such as the Helen Hayes-starrer What Every Woman Knows (1934), audiences found her character difficult to believe and disassociate from her all-round wholesome image. When her contract with MGM expired in 1937, Madge wound down her film career and, following her 1939 marriage, concentrated on being the wife of celebrated playwright Sidney Kingsley. She last appeared on stage in one of his plays, "The Patriots", in 1943.
