Ralph Norton, man-about-town and wealthy favorite in Broadway society circles, is attracted to Helen Tremaine, but her flirtatious behavior causes him to reject the superficial life of his set.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
Adolphe Jean Menjou (February 18, 1890 – October 29, 1963) was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charlie Chaplin's A Woman of Paris, where he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary Cooper; and A Star Is Born with Janet Gaynor and Fredric March, and was nominated for an Academy Award for The Front Page in 1931. [biography (excerpted) from Wikipedia]
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Anna Quirentia Nilsson was a Swedish-born actress who achieved success in American silent movies. Starring in some 200 feature films. The first Swedish actress to receive a star on the Hollywood Walk of Fame. In 1905, she had earned enough for a ticket across the Atlantic. In New York she was discovered on a thriving avenue by the famous portrait painter James Carroll Beckwith and soon she was New York's highest paid model. In 1907 she was named America's most beautiful woman and became a model for the 1910s beauty ideal, The Gibson Girl Look.
Carmel Myers was an American actress successful in, particularly, Silent films. She is best remembered for her performance as Egyptian seductress Iras in the 1925 epic Ben-Hur: A Tale of the Christ.
From Wikipedia, the free encyclopedia Vera Lewis (June 10, 1873 – February 8, 1956) was an American film and stage actress, beginning in the silent film era. She appeared in 183 films between 1915 and 1947. She was married to actor Ralph Lewis. She was born in Manhattan, where she began acting in stage productions. Her film career started in 1915 with the film Hypocrites, which starred Myrtle Stedman and Courtenay Foote. From 1915 to 1929 she appeared in 63 silent films, including the film classic Intolerance (1916) where she played the "old maid" Miss Jenkins. Unlike many silent film stars, she made a smooth transition to "talking films", starting with her 1930 appearance in Wide Open, starring Patsy Ruth Miller and Edward Everett Horton. Though never what is referred to as a "premier star", she appeared in 58 films during the 1930s, and another 60 during the 1940s. She retired after 1947, and resided at the Motion Picture Country House in Woodland Hills, California at the time of her death on February 8, 1956.
Mervyn LeRoy was an American film director, producer, and sometime actor. LeRoy worked in costumes, processing labs and as a camera assistant until he became a gag writer and actor in silent films, including The Ten Commandments in 1923. LeRoy credits Ten Commandments director, Cecil B. DeMille, for inspiring him to become a director: "As the top director of the era, DeMille had been the magnet that had drawn me to his set as often as I could go." LeRoy also credits DeMille for teaching him the directing techniques required to make his own films. His first directing job was with First National Pictures on 1927's No Place to Go. LeRoy ended up working at Warner Bros. after they took control of First National. When his movies made lots of money without costing too much, he became well received in the movie business. He directed two key films which launched Edward G. Robinson into major stardom, the Oscar-nominated critique of tabloid journalism Five Star Final, and the classic gangster film Little Caesar, which made his mark. From that point forward, LeRoy would be responsible for a diverse variety of films as a director and producer. The following year's I Am a Fugitive from a Chain Gang was also nominated for the Academy Award for Outstanding Production as was his Anthony Adverse. In 1938 he was chosen as head of production at MGM, where he was responsible for the decision to make The Wizard of Oz. He was responsible for discovering Clark Gable, Loretta Young, Robert Mitchum, and Lana Turner. His 1941 film Blossoms in the Dust was nominated for the Academy Award for Outstanding Motion Picture. His first big hit as a director with MGM was 1942's Random Harvest which was their biggest of the season earning worldwide rentals of $8 million and for which he was nominated for the Academy Award for Directing. The film was also nominated for the Academy Award for Outstanding Motion Picture. He hit big again two years later with Thirty Seconds Over Tokyo with rentals of $6 million. In 1951, he scored his biggest hit with Quo Vadis earning worldwide rentals of $21 million as well as a nomination for the Academy Award for Best Motion Picture. In the early 1950s, LeRoy directed such musicals as Lovely to Look At, Million Dollar Mermaid, Latin Lovers and Rose Marie. He returned to Warner Brothers in 1955, where he took over from John Ford as director on Mister Roberts, another big hit, which was also nominated for the Academy Award for Best Motion Picture. He also directed films for Warners such as The Bad Seed, No Time for Sergeants, The FBI Story, and Gypsy. He received an honorary Oscar in 1946 for The House I Live In, "for tolerance short subject", and the Irving G. Thalberg Memorial Award in 1976. A total of eight movies Mervyn LeRoy directed or co-directed were nominated for Best Picture at the Oscars, one of the highest numbers among all directors.
