Returning from World War I, Glenn Kilbourne travels to Arizona to regain his health. He meets a local girl, Flo Hutler, who helps him recover. His fiancee, Carley Burch, follows him to Arizona but soon decides she'd rather go back to New York. When Flo is badly hurt in an accident, Glenn decides to repay her for her help in bringing him back to health by proposing marriage.
12-16-1923
1h 10m
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
Ricardo Cortez (September 19, 1900 – April 28, 1977) was an American film actor who began his career during the silent film era.
Born Jacob Krantz in New York City into a Jewish family, he worked on Wall Street in a broker's office and as a boxer before his looks got him into the film business. Hollywood executives changed his name to Cortez to appeal to film-goers as a "Latin lover" to compete with such highly popular actors of the era as Rudolph Valentino, Ramon Novarro and Antonio Moreno. When rumour began to circulate that Cortez was not actually Spanish, the studios tried to pass him off as a different type of Latin, French, before they finally admitted his (supposedly) Viennese origin.
Cortez appeared in over 100 films. He played opposite Joan Crawford in Montana Moon in 1930, played Sam Spade in the original The Maltese Falcon in 1931, co-starred with Charles Farrell and Bette Davis in The Big Shakedown and Wonder Bar (with Al Jolson and Dolores del Río) in 1934. He also played Perry Mason in the 1936 film The Case of the Black Cat. Although he began his career playing romantic leads with actresses like Greta Garbo, when sound cinema arrived, his powerful delivery and New York accent made him an ideal villain and conman, and he switched from sex symbol to character actor.
Cortez was married to silent film actress Alma Rubens until her death of pneumonia in 1931.
When he retired from the film business, Cortez went to work as a stockbroker for Solomon Brothers on New York's Wall Street. He died in New York City in 1977 and was interred at Woodlawn Cemetery in The Bronx.
He was the older brother of noted cinematographer Stanley Cortez (born Stanislaus Krantz).
From Wikipedia, the free encyclopedia
Tom London (August 24, 1889 – December 5, 1963) was an American veteran actor who played frequently in B-Westerns. According to The Guinness Book of Movie Records, London is credited with appearing in the most films in the history of Hollywood, this according to the 2001 book Film Facts, where it states that the performer who played in the most films was "Tom London, who made his first of over 2000 appearances in The Great Train Robbery, 1903.
Born Leonard Clapham in Louisville, Kentucky, he got his start in movies as a props man in Chicago, Illinois. His debut was in 1915 in the Western Lone Larry, performing under his own name. In 1925, after having appeared in many silent films, he changed his name to Tom London, and used that name for the rest of his career. The first film in which he was billed under his new name was Winds of Chance, a World War I film, in which he played "Sgt. Rock". London was a trick rider and roper, and used his trick skills in scores of Westerns. In the silent film era he often played villainous roles, while in later years he often appeared as the sidekick to Western stars like Sunset Carson in several films.
One of the busiest character actors, he appeared in over 600 films. London made many guest appearances in television shows through the 1950s, such as The Range Rider, with Jock Mahoney and Dick Jones. He also played Sam, the attendant of Helen Ramirez (Katy Jurado) in High Noon. His last movie was Underworld U.S.A. in 1961, and his final roles on TV were in Lawman and The Dakotas.
London died at his home in North Hollywood at age 81 and was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California.
Mervyn LeRoy was an American film director, producer, and sometime actor.
LeRoy worked in costumes, processing labs and as a camera assistant until he became a gag writer and actor in silent films, including The Ten Commandments in 1923. LeRoy credits Ten Commandments director, Cecil B. DeMille, for inspiring him to become a director: "As the top director of the era, DeMille had been the magnet that had drawn me to his set as often as I could go." LeRoy also credits DeMille for teaching him the directing techniques required to make his own films.
His first directing job was with First National Pictures on 1927's No Place to Go. LeRoy ended up working at Warner Bros. after they took control of First National. When his movies made lots of money without costing too much, he became well received in the movie business. He directed two key films which launched Edward G. Robinson into major stardom, the Oscar-nominated critique of tabloid journalism Five Star Final, and the classic gangster film Little Caesar, which made his mark. From that point forward, LeRoy would be responsible for a diverse variety of films as a director and producer. The following year's I Am a Fugitive from a Chain Gang was also nominated for the Academy Award for Outstanding Production as was his Anthony Adverse.
In 1938 he was chosen as head of production at MGM, where he was responsible for the decision to make The Wizard of Oz. He was responsible for discovering Clark Gable, Loretta Young, Robert Mitchum, and Lana Turner. His 1941 film Blossoms in the Dust was nominated for the Academy Award for Outstanding Motion Picture. His first big hit as a director with MGM was 1942's Random Harvest which was their biggest of the season earning worldwide rentals of $8 million and for which he was nominated for the Academy Award for Directing. The film was also nominated for the Academy Award for Outstanding Motion Picture. He hit big again two years later with Thirty Seconds Over Tokyo with rentals of $6 million.
In 1951, he scored his biggest hit with Quo Vadis earning worldwide rentals of $21 million as well as a nomination for the Academy Award for Best Motion Picture. In the early 1950s, LeRoy directed such musicals as Lovely to Look At, Million Dollar Mermaid, Latin Lovers and Rose Marie.
He returned to Warner Brothers in 1955, where he took over from John Ford as director on Mister Roberts, another big hit, which was also nominated for the Academy Award for Best Motion Picture. He also directed films for Warners such as The Bad Seed, No Time for Sergeants, The FBI Story, and Gypsy.
He received an honorary Oscar in 1946 for The House I Live In, "for tolerance short subject", and the Irving G. Thalberg Memorial Award in 1976. A total of eight movies Mervyn LeRoy directed or co-directed were nominated for Best Picture at the Oscars, one of the highest numbers among all directors.