A riotous comedy of social errors, as absurd as a butler's whiskers.
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From Wikipedia, the free encyclopedia Stan Laurel (born Arthur Stanley Jefferson, 16 June 1890 – 23 February 1965) was an English comic actor, writer, and film director who was part of the comedy duo Laurel and Hardy. He appeared with his comedy partner Oliver Hardy in 107 short films, feature films, and cameo roles. Laurel began his career in music hall, where he developed a number of his standard comic devices, including the bowler hat, the deep comic gravity, and the nonsensical understatement. His performances polished his skills at pantomime and music hall sketches. He was a member of "Fred Karno's Army", where he was Charlie Chaplin's understudy. He and Chaplin arrived in the United States on the same ship from the United Kingdom with the Karno troupe. Laurel began his film career in 1917 and made his final appearance in 1951. From 1928 onwards he appeared exclusively with Hardy, and Laurel officially retired from the screen following his comedy partner's death in 1957. In 1961 Laurel was given a Lifetime Achievement Academy Award for his pioneering work in comedy, and he has a star on the Hollywood Walk of Fame at 7021 Hollywood Blvd. In 2009, a bronze statue of the Laurel and Hardy duo was unveiled in Laurel's hometown of Ulverston, England.
From Wikipedia, the free encyclopedia Babe London (born Jean Glover, August 28, 1901 – November 29, 1980) was an American actress and comedian, most remembered for her onetime-only partnership with Oliver Hardy, in the 1931 Laurel and Hardy two-reeler Our Wife. London began her screen career as a teenager, making her film debut in The Expert Eloper in 1919. She then appeared in A Day's Pleasure, performing opposite Charlie Chaplin. London appeared in more than 50 silent films, including The Perfect Flapper, The Boob, and the 1928 version of Tillie's Punctured Romance starring W. C. Fields. She worked with many of the funny men of the day, including Harry Langdon and Chester Conklin. At the height of her career London weighed 255 pounds. Later, a heart condition necessitated a loss of 100 pounds, and her movie offers declined along with her weight. She never regained her earlier success. In the late 1950s London began a second career as a painter and devoted the last 20 years of her life to depicting on canvas the early years of Hollywood. She titled the series The Vanishing Era. London willed 75 of her paintings to the University of Wyoming's American Heritage Center, along with her personal belongings.
