Posing as relatives, Ralph and Helen Gordon visit Col. Moncrief Gordon's Kentucky mansion, hoping to marry Helen to the colonel's son, Donald. The colonel agrees, but Donald balks at the suggestion, then reveals his secret marriage to Alice Brown. The colonel turns them out, and Ralph conspires with Bob Thurston to frame Donald for theft of Colonel Gordon's wager money and to shanghai him. After 3 years Donald discovers the source of his misfortune, returns, finds his wife, hears of a plot against his father's best racehorse, wrings a complete confession from Thurston, and saves the Derby for his repentant father.
12-04-1922
57 min
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
Main Cast
Movie Details
Production Info
Director:
King Baggot
Production:
Universal Film Manufacturing Company
Key Crew
Scenario Writer:
George C. Hull
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Reginald Denny
Reginald Denny (born Reginald Leigh Dugmore) was an English stage, screen, and television actor, as well as an aviator and unmanned aerial vehicle (UAV) pioneer.
Gertrude Astor (Born Gertrude Eyster November 9, 1887 – November 9, 1977) was an American motion picture character actress, who began her career playing trombone on a riverboat.
Born in Lakewood, Ohio, Astor at the age of 12 ran off and joined a woman's band as a trombone player and toured the states. In New York she left the band to obtain film work and got a job as an extra before her career took off. Astor was a prolific performer, between 1915 and 1962 she appeared in over 250 movies. Her first known credit is in a Biograph short in 1915. She then became a contract player at Universal. A tall, angular and beautiful woman, Astor frequently towered over the leading men of the era; thus, she was most frequently utilized in comedy roles as aristocrats, golddiggers and "heroine's best pal".
Her best-known silent appearances were as the visiting stage star in Stage Struck (1925) with Gloria Swanson, as the vamp who plants stolen money on Harry Langdon in The Strong Man (1926), and as Laura LaPlante's wisecracking travelling companion in The Cat and the Canary (1927).
Astor worked prolifically at Hal Roach studios with such headliners as Laurel and Hardy, Our Gang, and especially Charley Chase. She was also kept busy at Columbia Pictures' short subjects unit.
She continued to play bits in feature films throughout the 1940s, 1950s, and 1960s. She was briefly glimpsed as the first murder victim in the Sherlock Holmes adventure The Scarlet Claw and was among the ranks of dress extras in 1956's Around the World in Eighty Days. Her last appearance was in John Ford's The Man Who Shot Liberty Valance.
In her later years, Astor was a welcome guest at several Sons of the Desert gatherings, and became an honorary member of the Way Out West tent.
She died in Woodland Hills, California from a stroke. She is interred in the Abbey of Psalms in the Hollywood Forever Cemetery in Hollywood, CA.
From Wikipedia, the free encyclopedia.
Lionel Belmore (12 May 1867, Wimbledon, Surrey, England - 30 January 1953, Woodland Hills, Los Angeles, California) was an English character actor and director on stage for more than a quarter of a century.
Onstage, Belmore appeared with Wilson Barrett, Sir Henry Irving, William Faversham, Lily Langtry, and other famous actors. He entered in films from 1911. In total, he had some 200 titles to his film credit. He was notable as the huffy-puffy Herr Vogel the Burgomaster in Frankenstein (1931). Belmore played bit parts in several 1930s film classics. Unusually, he was a director before he became a prolific actor. He directed from 1914 to 1920, only acting in a limited number of films, until concentrating as an actor from then on.
He was the brother of the actress Daisy Belmore (Mrs. Samuel Waxman) (1874-1954) and the actor Paul Belmore. He was married to stage actress Emmeline Florence Carder and they had two daughters. Their daughter Violet had decided to follow in her father's footsteps and go into acting.
Description above from the Wikipedia article Lionel Belmore, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter.
Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith.
At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years.
In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years.
In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance.
Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios.
Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford.
During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
