A white child is adopted and raised by a Chinese citizen and brought to San Francisco, where no one surmises that she is actually not Chinese.
03-13-1921
1h 10m
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Main Cast
Movie Details
Production Info
Director:
Frank Lloyd
Writer:
J.E. Nash
Production:
Goldwyn Pictures Corporation
Key Crew
Art Direction:
Cedric Gibbons
Producer:
Samuel Goldwyn
Assistant Director:
Harry Weil
Scenario Writer:
Charles Kenyon
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
J. Frank Glendon
From Wikipedia
J. Frank Glendon (October 25, 1886 – March 17, 1937) was an
American film actor. He appeared in 79 films between 1915 and 1936. He was born
in Choteau, Montana, and died in Hollywood, California.
From Wikipedia
Wallace Fitzgerald Beery (April 1, 1885 – April 15, 1949) was an American actor. He is best known for his portrayal of Bill in Min and Bill opposite Marie Dressler, his titular role in a series of films featuring the character Sweedie, and his titular role in The Champ, for which he won the Academy Award for Best Actor. Beery appeared in some 250 movies over a 36-year span. He was the brother of actor Noah Berry.
From Wikipedia, the free encyclopedia
Edward Alyn Warren (June 2, 1874 – January 22, 1940) was an American actor. He appeared in 99 films between 1915 and 1940. In some early silent films he was credited as Fred Warren or E. A. Warren. He was born in Richmond, Virginia and died in Woodland Hills, Los Angeles.
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress whose long career spanned both silent and sound films, television, stage, and radio. Apart from being recognized as the the first Chinese-American movie star, as well as the first Asian-American to become an international star, she was also seen as an acclaimed fashion icon due to her being the one of the early stars to embrace the flapper look.
Born near the Chinatown neighborhood of Los Angeles to second-generation Chinese-American parents, Wong became infatuated with the movies at an early age and quit education to focus on beginning an acting career. After landing parts as uncredited extras in silent films, she had her first leading role in The Toll of the Sea (1922), one of the first movies made in color. Her role in Douglas Fairbanks' The Thief of Bagdad (1924) helped her achieve international stardom. Tired of being offered stereotypical supporting roles, she left Hollywood for Europe in the late 1920s, where she starred in several plays alongside notable names like Laurence Olivier. She made her final silent film in Britain titled Piccadilly (1929), which earned her wide praise. Her first talkie, The Flame of Love (1930), was recorded in three languages: English, French and German. She spent the first half of the 1930s traveling between the United States and Europe for film and stage work. Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg's Shanghai Express (1932). These films brought her more and more fame, which she used to express her staunch political views. Although she advocated for Chinese-American causes and criticized the stereotypical roles she played, Chinese press and critics continued to view her as a disgrace to the country. After experiencing the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading Chinese role in the film The Good Earth (1937), and instead chose a white German actress in yellowface, Wong spent the a year touring China, visiting her family's ancestral village, and studying Chinese culture. Returning to Hollywood, she starred in several B movies that portrayed Chinese-Americans in a positive light in the late-1930s.
As World War II rolled around, she focused less on her film career and decided to devote her time and money in helping the Chinese against Japanese invasions. Returning to the public eye in the 1950s with several television appearances, she started her own detective mystery television show titled The Gallery of Madame Liu-Tsong (1951), the first U.S. television show starring an Asian-American. She was scheduled to return to film in Flower Drum Song (1961) but she died of a heart attack.
For decades after her death, Wong was remembered mostly for the stereotypical roles she was given although critics have begun to reevaluate her life and career. In 2022, Wong became the first Asian-American to be depicted on American coinage when the quarters with her image on them went into circulation. In 2023, Mattel released a Barbie doll modeled on Wong in honor of Asian American and Pacific Islander Heritage Month.
