A renegade American and his innocent daughter become entangled in the snares of German secret agents during the First World War.
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From Wikipedia, the free encyclopedia Montagu Love (15 March 1880 – 17 May 1943), also known as Montague Love, was an English screen, stage and vaudeville actor. Born Harry Montague Love in Portsmouth, Hampshire, he was the son of Harry Love (b. 1852) and Fanny Louisa Love, née Poad (b. 1856); his father was listed as accountant on the 1881 English Census. Educated in Great Britain, Love began his career as an artist and military correspondent with his first important job as a London newspaper cartoonist. Love honed basic stage talents in London, and in 1913 sailed to the Canada and crossed the border into the United States in November with a road-company production of Cyril Maude's Grumpy. Usually Love was cast in heartless villain roles. In the 1920s, he played with Rudolph Valentino in The Son of the Sheik, opposite John Barrymore in Don Juan, and appeared with Lillian Gish in 1928's The Wind. He also portrayed 'Colonel Ibbetson' in Forever (1921), the silent film version of Peter Ibbetson. Love was one of the more successful villains in silent films. One of Love's first sound films was the part-talkie The Mysterious Island co-starring Lionel Barrymore. In 1937, he played Henry VIII in the first talking film version of Mark Twain's The Prince and the Pauper, with Errol Flynn. Love played the bigoted Bishop of the Black Canons in The Adventures of Robin Hood, starring Flynn, too. However, he also played gruff authoritarian figures, such as Monsieur Cavaignac, who, contrary to history, demands the resignation of those responsible for the Dreyfus coverup, in The Life of Emile Zola (1937), as well as Don Alejandro de la Vega, whose son appears to be a fop but is actually Zorro, in the 1940 version of The Mark of Zorro, starring Tyrone Power. In 1941, he played a doctor in Shining Victory, which also starred James Stephenson, Geraldine Fitzgerald and Donald Crisp. In 1939's Gunga Din, it is Montagu Love who reads the final stanza of Rudyard Kipling's original poem over the body of the slain Din. Love's last film to be released, Devotion, was released three years after his death aged 63 in 1943. He was interred at Chapel of the Pines Crematory. His last acting stint was on Wings Over the Pacific (1943).
Lovely Madge Evans was the perennial nice girl in films of the 1930s. By then, she had been in front of the camera for many years, starting with Fairy Soap commercials at the age of two (she sat on a bar of soap holding a bunch of violets with the tag line reading "have you a little fairy in your home?"). 'Baby Madge' also lent her name to a children's hat company. In 1914, aged five, she was picked out by talent scouts to appear in the William Farnum movie The Sign of the Cross (1914), followed by The Seven Sisters (1915) with Marguerite Clark. By the end of the following year, she had amassed some twenty film credits, appearing with such noted contemporary stars as Pauline Frederick or Alice Brady. All of her early films were made on the East Coast, at studios in Ft.Lee, New Jersey. In 1917 (aged eight), Madge made her Broadway debut in 'Peter Ibbetson' with John Barrymore and Lionel Barrymore. She resumed her stage career in 1926 as an ingenue with 'Daisy Mayme' and the following year appeared with Billie Burke in Noel Coward's costume drama 'The Marquise' (1927). Her pleasing looks and personality soon attracted the attention of Hollywood and she was eventually signed by MGM in 1931. During the next decade, she appeared in several A-grade productions, notably as Lionel Barrymore's daughter in MGM's Dinner at Eight (1933) and as the dependable Agnes Wickfield in one of the best-ever filmed versions of David Copperfield (1935). She co-starred opposite James Cagney in the gangster movie The Mayor of Hell (1933), Spencer Tracy in The Show-Off (1934) and listened to Bing Crosby crooning the title song in Pennies from Heaven (1936). Madge received praise for her performance as the star of Beauty for Sale (1933) and The New York Times review of January 13 1934 described her acting in Fugitive Lovers (1934) (opposite Robert Montgomery ) as 'spontaneous and captivating'. Many of her 'typical American girl' roles did not allow her to express aspects of the greater acting range she undoubtedly possessed. Too often she was cast as the 'nice girl' - and those rarely make much of a dramatic impact. On the few occasions she was assigned the role of 'other woman' , such as the Helen Hayes-starrer What Every Woman Knows (1934), audiences found her character difficult to believe and disassociate from her all-round wholesome image. When her contract with MGM expired in 1937, Madge wound down her film career and, following her 1939 marriage, concentrated on being the wife of celebrated playwright Sidney Kingsley. She last appeared on stage in one of his plays, "The Patriots", in 1943.
