A lost Film. Mary Pickford plays a socialite who, having lost her fortune, takes a job as a Swedish cook. She falls in love with a chauffeur who, lo and behold, is a slumming millionaire.
06-29-1918
50 min
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Main Cast
Movie Details
Production Info
Director:
William Desmond Taylor
Production:
Mary Pickford Company
Key Crew
Screenplay:
Frances Marion
Producer:
Mary Pickford
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Mary Pickford
Gladys Marie Smith (April 8, 1894 – May 29, 1979), known professionally as Mary Pickford, was a Canadian actress resident in the U.S., and also producer, screenwriter and film studio founder, who was a pioneer in the US film industry with a Hollywood career that spanned five decades.
Pickford alongside her future husband, actor-producer Douglas Fairbanks, founded Pickford–Fairbanks Studios and United Artists, and was one of the 36 founders of the Academy of Motion Picture Arts and Sciences. Pickford is considered to be one of the most recognisable women in history. Known as "America's Sweetheart" during the silent film era, she is named on the list of the AFI's 100 Years...100 Stars as the 24th-top female star from the Classical Hollywood Cinema era and the "girl with the curls."
Pickford was one of the Canadian pioneers in early Hollywood and a significant figure in the development of film acting. She was one of the earliest stars to be billed under her own name, and was one of the most popular actresses of the 1910s and 1920s, earning the nickname "Queen of the Movies." She is credited with having defined the ingénue type in cinema.
She was awarded the second Academy Award for Best Actress for her first sound film role in Coquette (1929). By the late 1920s, Pickford's career went into decline. She received an Academy Honorary Award in 1976 in consideration of her contributions to American cinema.
Zasu Pitts was an American actress who starred in many silent dramas and comedies, transitioning successfully to mostly comedy films with the advent of sound films. She may be best known for her performance in Erich von Stroheim's epic silent film Greed.
Based on her performance, von Stroheim labeled Pitts "the greatest dramatic actress". He also featured her in his films The Honeymoon (1928), The Wedding March (1928), War Nurse (1930) and Walking Down Broadway, released as Hello, Sister! (1933). However, for the most part, with the advent of sound Pitts was mostly relegated to comedy parts. A bitter disappointment was when she was replaced in the classic war drama All Quiet on the Western Front (1930) by Beryl Mercer after her initial appearance in previews drew unintentional laughs, despite her intense performance. She had viewers rolling in the aisles in Finn and Hattie (1931), The Guardsman (1931), Blondie of the Follies (1932), Sing and Like It (1934) and Ruggles of Red Gap (1935). In 1936 and 1937 she portrayed Hildegarde Withers in two movies, succeeding Edna May Oliver as the spinster sleuth, but they were not well received.
In the 1950s she started focusing on television. This culminated in her best known series role, playing second banana to Gale Storm on CBS's The Gale Storm Show (1956) (also known as Oh, Susannah) in the role of Elvira Nugent ("Nugie"), the shipboard beautician. In 1961, Pitts was cast opposite Earle Hodgins in the episode "Lonesome's Gal" on the ABC sitcom, Guestward, Ho!, set on a dude ranch in New Mexico. In 1962, Pitts appeared in an episode of CBS's Perry Mason, "The Case of the Absent Artist". Her final role was as Gertie, the switchboard operator in the Stanley Kramer comedy epic It's a Mad, Mad, Mad, Mad World (1963).
Wesley Barry was an American actor, director, and producer. Barry began his career as a child actor in silent motion pictures and later became a producer and director of both film and television. As a director, he was sometimes billed as Wesley E. Barry.
From Wikipedia, the free encyclopedia
Joan Marsh (born Nancy Ann Rosher, July 10, 1913 – August 10, 2000) was an American child actress in silent films between 1915 and 1921. Later, during the sound era, she resumed her acting career and performed in a variety of films during the 1930s and 1940s.