A restless young girl yearns to leave her rural environment and "get away from it all". One day she stumbles upon a film crew shooting a western near her home. She makes friends with the film's leading man, who encourages her to try her luck as an actress. So she leaves her small town and goes to the big city to break into the picture business. However, things don't turn out quite the way she planned.
02-26-1917
1h 5m
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Main Cast
Movie Details
Production Info
Director:
Maurice Tourneur
Writers:
Frances Marion, Maurice Tourneur
Production:
Paragon Films
Key Crew
Editor:
Clarence Brown
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Robert Warwick
Robert Warwick (born Robert Taylor Bien; October 9, 1878 – June 6, 1964) was an American stage, screen, and television actor. He appeared in over 200 films during the 1914 through 1959 span of years. Warwick's television career (which began in 1949) continued to 1962.
Josef von Sternberg, born Jonas Sternberg (29 May 1894 – 22 December 1969) was an Austrian-born film director and is among the few whose career successfully spanned the transition from the silent to the sound era. He is considered one of the earliest 'auteur' filmmakers, having filled many other roles on his films including those of cinematographer, screenwriter, and editor. Sternberg's style influenced later directors, particularly those of the film noir period. He is particularly noted for his distinctive mise en scène, use of lighting and soft lens, and collaboration with actress Marlene Dietrich. Among his most important works are The Blue Angel (1930), Morocco (1930), Shanghai Express (1932) and The Scarlet Empress (1934). Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.
Maurice Félix Thomas (1876 – 1961), known as Maurice Tourneur, was a French film director and screenwriter. His son, Jacques (1904–1977), would follow his father into the film industry, establishing his own reputation as a director of American films in the 1940s and 1950s.
