In planning to break into the house of the wealthy Bob Van Dyke, Jenny's stepfather decides that his stepdaughter should do most of the dirty work, and Jenny, not wanting to disappoint him, grudgingly agrees. As soon as she enters the house, Bob catches her, but then goes back to his bedroom after making her give her word not to take anything. Jenny breaks her promise...
01-23-1916
50 min
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HELLA
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Main Cast
Movie Details
Production Info
Director:
William C. de Mille
Writer:
William C. de Mille
Production:
Jesse L. Lasky Feature Play Company
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Blanche Sweet
From Wikipedia
Sarah Blanche Sweet (June 18, 1896 – September 6, 1986) was an American silent film actress who began her career in the earliest days of the Hollywood motion picture film industry.
Sweet is renowned for her energetic, independent roles, at variance with the 'ideal' Griffith type of vulnerable, often fragile, femininity. After many starring roles, her first real landmark film was the 1911 Griffith thriller The Lonedale Operator. In 1913 she starred in Griffith's first feature-length movie, Judith of Bethulia. In 1914 Sweet was initially cast by Griffith in the part of Elsie Stoneman in his epic The Birth of a Nation but the role was eventually given to rival actress Lillian Gish, who was Sweet's senior by three years. That same year Sweet parted ways with Griffith and joined Paramount (then Famous Players-Lasky) for the much higher pay that studio was able to afford.
Throughout the 1910s, Sweet continued her career appearing in a number of highly prominent roles in films and remained a publicly popular leading lady. She often starred in vehicles by Cecil B. DeMille and Marshall Neilan, and she was recognised by leading film critics of the time to be one of the foremost actresses of the entire silent era. It was during her time working with Neilan that the two began a publicized affair, which brought on his divorce from former actress Gertrude Bambrick. Sweet and Neilan married in 1922. The union ended in 1929 with Sweet charging that Neilan was a persistent adulterer.
During the early 1920s Sweet's career continued to prosper, and she starred in the first film version of Anna Christie in 1923. The film is also notable as being the first Eugene O'Neill play to be made into a motion picture. In successive years, she starred in Tess of the D'Urbervilles and The Sporting Venus, both directed by Neilan. Sweet soon began a new career phase as one of the newly formed MGM studio's biggest stars.
Sweet made just three talking pictures, including her critically lauded performance in 1930's Show Girl in Hollywood, before retiring from the screen that same year and marrying stage actor Raymond Hackett in 1935. The marriage lasted until Hackett's death in 1958.
Sweet spent the remainder of her performing career in radio and in secondary Broadway stage roles. Eventually, her career in both of these fields petered out, and she began working in a Los Angeles department store. In the late 1960s, her acting legacy was resurrected when film scholars invited her to Europe to receive recognition for her work.
On September 24, 1984, a tribute to Blanche Sweet was held at the Museum of Modern Art in New York City. Miss Sweet introduced her 1925 film, The Sporting Venus.
Sweet died in New York City of a stroke, on September 6, 1986, just weeks after her 90th birthday.
James Neill (September 29, 1860 – March 16, 1931) was an American stage actor and film actor of the silent era. He appeared in 113 films between 1913 and 1930.
His wife, and frequent costar on stage and screen, was Edythe Chapman.
From Wikipedia
Agnes George de Mille (September 18, 1905 – October 7, 1993) was an American dancer and choreographer.
De Mille began her association with the fledgling American Ballet Theatre (then called the Ballet Theatre) in 1939, but her first significant work, Rodeo (1942) with the score by Aaron Copland, was staged for the Ballet Russe de Monte Carlo. Although de Mille continued to choreograph nearly up to the time of her death—her final ballet, The Other, was completed in 1992—most of her later works have dropped out of the ballet repertoire. Besides Rodeo, two other de Mille ballets are performed on a regular basis, Three Virgins and a Devil (1934) adapted from a tale by Giovanni Boccaccio, and Fall River Legend (1948) based on the life of Lizzie Borden.
On the strength of Rodeo, de Mille was hired to choreograph the musical show Oklahoma! (1943). The dream ballet, in which dancers Marc Platt, Katherine Sergava, and George Church doubled for the leading actors, successfully integrated dance into the musical's plot. Instead of functioning as an interlude or divertissement, the ballet provided key insights into the heroine's emotional troubles. De Mille went on to choreograph over a dozen other musicals, most notably Bloomer Girl (1944), Carousel (1945), Brigadoon (1947), Gentlemen Prefer Blondes (1949), Paint Your Wagon (1951), The Girl in Pink Tights (1954), Goldilocks (1957), and 110 in the Shade (1963).
De Mille's success on Broadway did not translate into success in Hollywood. Her only significant film credit is Oklahoma! (1955). She was not invited to recreate her choreography for either Brigadoon or Carousel. Nevertheless, her two specials for the TV series Omnibus, "The Art of Ballet" and "The Art of Choreography" (both televised in 1956), were immediately recognized as landmark attempts to bring serious dance to the attention of a broad public.
Her love for acting played a very important role in her choreography. De Mille revolutionized musical theatre by creating choreography which not only conveyed the emotional dimensions of the characters but enhanced the plot. Her choreography, as a reflection of her awareness of acting, reflected the angst and turmoil of the characters instead of simply focusing on a dancer's physical technique.
De Mille married Walter Prude on June 14, 1943. They had one child, Jonathan, born in 1946.
Her hobbies included collecting fine porcelain and research on the history of clothes, something at which she was an expert.
She suffered a stroke on stage in 1975, but recovered. She died in 1993 of a second stroke in her Greenwich Village apartment.
