A thug accosts a girl as she leaves her workplace but a man rescues her. The thug vows revenge and, with the help of two friends, attacks the girl and her rescuer again as they're going for a walk. This time they succeed in kidnapping the rescuer. The girl runs home and gets help from several neighbors. They track the ruffians down to a cabin in the mountains where the gang has trapped their victim and set the cabin on fire.
07-21-1908
10 min
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Mack Sennett (born Michael Sinnott; January 17, 1880 – November 5, 1960) was a Canadian born actor, director, comedian and studio head, known as the 'King of Comedy'. He produced more than 1,000 silent films and several dozen talkies during a 25-year career. He became a United States citizen in 1932.
Sennett was born and raised in Richmond, Quebec. He moved to Connecticut when he was 17 years old.
In New York City, he took on the stage name Mack Sennett and became an actor, singer, dancer, clown, set designer, and director for the Biograph Company.
He later opened Keystone Studios in Edendale, California, in 1912. Keystone possessed the first fully enclosed film stage, and Sennett became famous as the originator of slapstick routines such as pie-throwing and car-chases, as seen in the Keystone Cops films. He also produced short features that displayed his Bathing Beauties, many of whom went on to develop successful acting careers.
Sennett's work in sound movies was less successful, and he was bankrupted in 1933. In 1938 he was presented with an honorary Academy Award for his contribution to film comedy.
Mack Sennett died in Woodland Hills, California in 1960, aged 80.
[biography (excerpted) from Wikipedia]
David Llewelyn Wark Griffith was a premier pioneering American film director. He is best known as the director of the controversial and groundbreaking 1915 film The Birth of a Nation and the subsequent film Intolerance (1916). Griffith's film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the feature-length film. It also proved extremely controversial at the time and ever since for its negative depiction of Black Americans and their supporters, and its positive portrayal of slavery and the Ku Klux Klan. Griffith responded to his critics with his next film, Intolerance, intended to show the dangers of prejudiced thought and behavior. The film was not the financial success that its predecessor had been, but was received warmly by critics. Several of his later films were also successful, but high production, promotional, and roadshow costs often made his ventures commercial failures. Even so, he is generally considered one of the most important figures of early cinema.
